Nakul Dev Chawla Co-Founder, Art Mumbai

As Art Mumbai returns for its third edition, we sit down with Co-Founder, Nakul Dev Chawla to uncover what sets this year’s fair apart: from a first-ever Tayyab Mehta retrospective to a solid lineup of international galleries and off-site cultural experiences. Nakul gives us an insider’s look at a reimagined fair that’s raising the bar for contemporary art in Bombay.

How does the third edition of Art Mumbai set apart from the last two? How has it evolved?
This time, we have an entirely new hangar, which we’ve created at the fair. We’ve expanded the fair significantly. For the first time ever, we are presenting a retrospective on Tayyab Mehta, organized by three foundations: the Tayyab Mehta Foundation, Safranar Foundation, and Kiran Nadar Museum of Art. Showcasing approximately 40 works by Tayyab Mehta at one venue is truly unprecedented.
I think this will be a fantastic experience for visitors. We have about 18 international galleries participating, marking significant growth since our first two editions.

There are also several off-site events happening throughout the city during these four days. We’re extremely proud that the entire art and culture community is planning their calendars around the fair. There’s a wonderful sculpture park this year, themed exclusively around women artists. We also have numerous stage performances, including a fashion show, an aerial dance performance, and theatre. Our speaker series is exceptionally well curated this time. All in all, there is so much to experience over these four days in Bombay. 

How would you summarize the DNA of Art Mumbai?
That’s a great question. Thinking aloud, this initiative extends beyond South Asia; it’s about taking art from our region to a global stage.
Our goal is to establish ourselves as the leading art fair here. So, the real question is: how do we attract a global audience to Bombay and get our art recognized worldwide.

What was the curatorial process this time around?
Yes, we are a very selective fair, and it’s quite hard to get into. We thoroughly check and vet every participant and each artwork exhibited at the fair. For modern masters in particular, we pay extra attention to authentication, which gives our visitors added confidence in the works displayed. With limited space in Bombay—unlike larger cities like Delhi—we can only accommodate a certain number of galleries.

Since our first edition in 2023, the number of galleries has increased by 60%. Every year, we see more applications, and this year we have 82 thoughtfully selected and curated galleries. We’re very excited to welcome them on board.

What subjects does the speaker series address?
The talks cover a variety of topics, including the journey of collectors and artists, curator perspectives, and the impact of technology on art. The fair does not have a single unifying theme, but rather acts as a vital meeting point for global art dialogue.

Can you share your journey in art collecting?
As a third-generation member of the family that founded Chawla Art Gallery, art has always been part of family life. The first major work collected personally was a rare self-portrait by Souza, acquired around the age of 21 or 22.

What role does the city of Bombay play in shaping the fair?
Bombay is historically a hub for art, home to many progressives and major collectors. The racecourse venue offers a peaceful, central location, providing visitors a full experience of the city's skyline and atmosphere. The fair is designed to be a full-day affair, welcoming new and established collectors, artists, and art enthusiasts.

What do you see as the future or the next big thing in art?
South Asia is emerging as a major art market as global markets plateau. Art Mumbai wants to harness this momentum, capturing global audiences and showcasing South Asian art to the world.

Words Hansika Lohani
Date 12-11-2025